In those years you could easily expect to hear a part of the music of "Gone With the Wind" mixed with a sonata by Beethoven and suddenly followed by a piece of Spanish music. This privilege made it possible for sound editors to make use of the music of foreign films. In the same years, Esmail Koushan started the post-dubbing technique in Iran. You can find too few films from those days with music other than vulgar songs they were rarely composed for dramatic or romantic purposes. These films were by no means qualified to be classified as musical. It consisted of no more than a few relevant or irrelevant songs. But even the music which accompanied Iranian films during the second era was far from its modern concept or application.
Between 19, six films had been made by Abdolhossein Sepanta at Indian studios. They were played by the orchestra of the Iranian Music Council established by Rouhollah Khaleghi and Colonel Alinaghi Vaziri. A few pieces of music and a couple of songs were incorporated into the story. The Storm of Life (1948), by Ali Daryabeygi, was the first Iranian quasi-musical. The production of the first sound films in Iran started at the same time.
IRANI SONGS MOVIE
This manner of live music flavoring naturally lasted until sound films found their way into movie theatres in downtown Tehran. Later, pianists or small bands did the job for years. Unfortunately all that is remembered from those days is that a couple of traditional music players used to accompany the film in the movie theatre. The first era extends from 1907 to 1941, when people still enjoyed silent films in Iran. The history of film music in Iran can be divided into four eras, during each of which there were certain upheavals for the growing cinema of Iran.
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